Watercolours are a mystery
Author: seareigns
Photograph by Catherine Servel; styled by Jessica De Ruiter; W magazine November 2014.
With all the heat Anita Sarkeesian gets for her Tropes series, you’d think it was a new topic, but Gene Siskel & Roger Ebert had a discussion on a similar theme when they were talking about the influx of slasher movies on their show in 1980.
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34 years later and this is STILL relevant
RIP to both of these great men.
Natalie Dormer photographed by Skye Parrott for Cosmopolitan Magazine (December 2014)
Lady Winter, created for the Taproot 2015 calendar.
Watercolor, collage, colored pencil.
Phoebe Wahl 2014
“It’s a childhood dream come true to be able to build ships like this and photograph them. It’s something I have waited my whole life to do.”
—Christopher Nolan, director of Interstellar, talking to USA Today
Saw a lot of little Falcons and Falconettes this weekend. Thank u guys for keepin the streets safe! #littlefalconrocks
David Denby on Christopher Nolan’s new movie:
There’s no doubting Nolan’s craft. Throughout “Interstellar,” the camera remains active, pursuing a truck across a cornfield or barrelling through sections of the Endurance. All this buffeting—in particular, the crew’s rough-ride stress—is exciting from moment to moment, but, over all, “Interstellar,” a spectacular, redundant puzzle, a hundred and sixty-seven minutes long, makes you feel virtuous for having sat through it rather than happy that you saw it.
Illustration by Chris B. Murray
SEAREIGNS 